paantha said...Thanks for the hint about handedness - but I think that handedness might not apply to spinning that much. I am left-handed and very severely so, but I spin with my distaff under the left arm, and my right hand as drafting/turning spindle hand. And I did not really learn from someone, so it was all my idea to do it this way around.
I have learnt to spin with a wheel and a drop spindle but I haven't yet got the hang of medieval-style spinning and I can't make my distaff work. :(
However, I do have one piece of advice for you, which holds true for all craft/textile teaching (and probably a few other things too). If you need to teach a left-handed person when you are right-handed (or vice versa) sit them opposite you and make them copy you as if you are mirror images of each other. My neighbour who taught me to spin was very careful to do this when teaching me to knit and crochet, so I do those right-handed (like I write). However, I just noticed that I spin left-handed, despite being right-handed, because we forgot to implement that when she taught me spinning...
That said, when teaching, I do tell people they should experiment which hand they prefer for drafting more actively.
Karen said...Thanks Karen! Yes, I think adapting to the distaff can be confusing at first, but good to hear that you are also addicted to them now!
I love spinning with a distaff. I have a long one which I generally use when drafting with a short draw, and a hand held one, that I am just getting good at using, that I use when drafting with a long draw. The biggest problem I had when learning to use my distaffs was keeping a consistant draft. My first spindle-full on each was very uneven. But it just took practice. I worried more about being comfortable holding the distaff than what my thread looked like, and very quickly my thread improved. I hate to spin without one now.
Good luck with your workshop.
Arachne said...
I'm still struggling with the distaff, I've tried both long ones and hand-held ones. My biggest problem is spinning with really long fibres (+ 20 cm) but it happens with shorter wool too: everything's fine in the beginning, but after a bit the fibres become wound so tightly round the distaff that I can't draw at all. I've tried arranging the wool as if it were flax on the distaff rather than wrapping the combed tops around it, but it still ended up a bunched-up mess after a while. Haven't given up yet, though...
Have you tried winding them off a bit more from time to time? I usually have quite a longish bit of the fibre band hanging down from my distaff, and the longer the fibres, the longer this free-hanging bit. As soon as it shortens enough to let fibres come from very near the distaff stick, I roll it a little so more of the fibre band unwraps and hangs freely down. So maybe if you try to leave more space between your hands and the distaff, it might help. And don't give up!
1 comment:
That sounds like a simple and very good idea! I'm probably too occupied keeping an eye on the thread so I forget about the distaff and when I finally unwrap more wool from it, it's already bunched up and too late... And you know me, I won't give up a historical textile technique unless my arms and legs fall off. I just do things very slowly with lots of year-long breaks inbetween ;-)!
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