The year is taking on shape.

Do you know that feeling that the plan of the year slowly emerges out of fog and nothingness? January and February are the two months when plans are made and dates are fixed, and the calendar becomes spattered and sprinkled with colourful spots all over. It's an exciting time every time it comes around!

And for 2014, there are a few things fixed that I am really looking forward to already.

As usual, I will be in Freienfels with my market stall. Freienfels this year is April 30 to May 4, and the market is open for all visitors during the weekend.

Next on my calendar is the International Museum Day on May 18, which I will spend at the Stadtmuseum Bietigheim-Bissingen, demonstrating spinning technique both with distaff and spindle and with the Great Wheel.

Right after that comes the NESAT in Hallstatt, a conference I've been looking forward to for, as usual, the last three years.

Next up is a semi-private medieval event in Herzberg, running from June 27 to July 6. The event after that is the exact opposite to private, however: Together with Margit Ströbele from Alte Künste, I will be running a dealer's table at LonCon3! I will also give a paper about textile techniques on the academic programme there. If you are at LonCon, make sure to drop by!

If you want to learn a textile technique or need assistance in tailoring a garment, I have course dates planned for September 6-7 and October 25-26. As usual, details and booking info can be found on my shop page.

And the last date already fixed and agreed upon for 2014 at the moment is our next Textile Forum, which will take place 3-9 November, again in Mayen (we love it there). If you want to keep informed about the Textile Forum, you can subscribe to our newsletter on the Forum homepage.

And if you want to keep informed about my upcoming events and dates, you can always check the list of them on my homepage.

As you can see, the year promises to be full of interesting events already, and I am looking forward to maybe meeting a few more of you this year.

Rethinking stuff.

The last workshop I gave turned out a little differently than planned - a little smaller due to some illnesses, and a little more open-themed, partly as a consequence of that.

The result of this change toward more openness, and more diverse topics, pleased all of us no end. So much, in fact, that I have decided to rethink my workshop/course structure in general. Since one of the issues for workshops is to get enough people interested in the course topic together, on that one specific date, having an open-topic workshop takes out this major issue, so it's easier for me to have a workshop. An added benefit? Participants can have a look at what the other participants do, and maybe widen their interest.

So while I will keep up the offer of courses catering to a specific topic - especially for groups or museums that want to have a course or workshop tailored to their topic of choice - I will also offer small, open-topic workshops hereabouts.

These will be small because it's not possible to run multiple topics in a large group. A small one, however, allows for it since all the textile work is a bit of instruction, a bit of working on it by yourself. So basically, the open-themed courses are going to work like this: you book your course spot, and we will figure out what you are going to focus on during the workshop. I will then prepare your topic accordingly, and you can work on it during the course day(s), getting the instruction you need and want, with the opportunity to soak up some extra knowledge from what other participants focus on. (Or even switch focus, if you want that.)

I'm currently sorting out dates for the next three workshops of this type and am writing up the info text for the shop... so it will be online soon. And I'm already looking forward to the first of these workshops - since the last one was such a nice experience!

New stuff.

As of yesterday evening, I am the (middling) proud owner of a (mediocre, but functioning) model of a warp-weighted loom.
Well, to be honest, it's not completely finished yet - I need to fiddle with the position of the heddle rod brackets a bit more before fixing them.

It was made out of scrap wood that was hanging out in our basement plus two Y-shaped pieces of hazel wood, straight in from the garden. It's even set up already, and I have woven the first few wefts.

As you can see, the starting border is totally out of dimension in comparison to the huge loom size (about 30 cm width), as is the rest of the weave. That is the problem with models regarding textile - it's very hard or impossible to scale down the actual textiles, and that changes the overall look of both production models and garment models. In case you ever wondered why a small doll dressed up to model a set of garments looked ever so subtly wrong, that is probably the reason: if you don't scale down the fabric itself, the drapes and folds will be too large and too stiff.

In my case, however, that is irrelevant - I only want the small model to take along for workshops and seminars, to be able to explain the basics behind weaving and warp-weighted weaving. So scale, in this case, is not the issue.

(The starting border and weave is that narrow for a reason, by the way - not only because I wanted to save time in setting up the loom. It's the start of a form-woven tunic. I do not expect the piece to ever see the day of actually getting the body of the tunic added in... but it could happen. Theoretically. One day.)

Busy, busy.

Last week has been insanely busy, stuffed full with the doing of things I had wanted, or planned, to do for a long time. Not least of them my wool-display-making shenanigans! I also managed to give myself sore muscles due to willowing the washed, dried wool (yes, historical wool preparation can substitute a gym session).

This week is, normal-desk-work-wise, a very short one - it's just today and tomorrow, since Herzberg starts on Wednesday. So I am going to be quite busy wrapping up everything that needs to be wrapped up before Wed, packing my stuff, doing the last preparation for the two private workshops I will teach there (and I'm immensely looking forward to that, it's going to be much fun), and so on. The weather is forecast to be very nice, and I've already put "sun hat" on my list of things to take, along with a goodly whack of small and medium-sized projects that have been waiting for some attention for way, way too long.

I will now return to my regularly scheduled computer work... and already look forward to a few days without the machine, and with lots of nice people instead!

New workshop dates!

Planning the season has progressed enough for me to set a few new workshop dates!

These are, in short:
A workshop in Piacenza, Italy, in English language on April 13/14;

two single-day embroidery workshops in German language in Erlangen, on May 18 (counted work) and May 19 (picture embroidery);

a two-day workshop to tailor a garment in Erlangen, October 19 and 20.

For the workshops in Erlangen, you can book your place starting now - just follow the links for more information and booking possibilities. And if you have a special project or a group of like-minded friends, why not arrange a private lesson or a private mini-workshop? Contact me per email if you are interested!

Embroidery workshop!

In case you are interested in trying medieval embroidery, I will be giving a course in Erlangen on the 27th of October and the 28th of October 2012. The first day will be dedicated to counted-work techniques (canevas), while the second day covers the techniques with free pattern design. The two days are bookable separately in case only one of the two variations is of interest for you, and the course fee includes materials (a piece of linen fabric suitable for the work and the silk (and partly gold) threads). Course language will be German (of course).

You can book both workshops, counted work and pattern embroidery via my new online shop. Workshop places are limited, of course, so that the group does not get too large.

Embroidery workshops are great fun, and I'm already looking forward to this!

New dates for embroidery workshops.

I have fixed new dates for the embroidery workshops - next counted work course will be held on January 28 2012, and the next non-counted work/picture embroidery course will be on January 29 2012.

If you are interested, you can find some more information via the links above - and I'd be delighted to see you there!

Is it Thursday already?

Somehow, time in these last weeks has been rushing by in one giant whooshing sound - I cannot believe we have the middle of October already!

The English version of the shop is officially up and running now, with all items sporting an English text as well. A few pictures are all that is still lacking, and they, at least, are lacking for both German and English visitors. Have fun in and with the shop!

And if you are planning to participate in one of the embroidery courses, please do register for them now - I will only be able to take "orders" on this until Sunday, October 16, otherwise it gets quite impossible to plan.

Where to find me.

If you are looking to meet me for a chat (or because you are desperate to buy me a coffee), I can be found at the following places in the near future:

Tannenberg, the traditional end-of-season market, September 30 to October 3. I will be having a stall there and sell my usual stock of goods - plus if you would like to try prepping wool for historical spinning yourself, I will offer you the opportunity to "rent-a-wool-tool" at my stall.

Family day at the Römisch-Germanisches Zentralmuseum in Mainz, September 25 - I will be demonstrating wool processing and spinning with distaff and hand-spindle. If you dare, you can try spinning yourself as well!

The Embroidery Workshop - I will be teaching medieval embroidery in Erlangen on the 29th of October (counted work) and the 30th of October (split stitch and diverse laid-and-couched techniques). Booking can be done via the webshop (look under "Kurse").

Medieval Dress and Textiles Society Autumn meeting, October 22, in London - I will be speaking in the afternoon there.

If you are in the area, why not drop by?

Getting into the mood.

I'm getting into the mood for the embroidery course in October.

If by "getting into the mood" you understand "starting some insanely large project because I'm so much looking forward to the course because I'm sure it will be an insane amount of fun and I can't wait for it so I'm starting this now", that is. And yes, there will be pictures as soon as I deem a bit of it picture-worthy.

And I am having fun with it. I have decided on a stitch to use that I totally love, it's wonderful material, it's relatively fast to work. And it means I get to practise my mean material-calculation skillzz again.

And yes, calculating how much material you will need will definitely be part of the workshop. Also, for those who are interested in it, how much time you will probably need.

From Headwear questions to Spinning questions.

First of all, thanks to everybody who commented with links or hints to medieval headwear on yesterday's post. I will go hunt all those things down and have a good look at them. And if anybody thinks of any more, please comment to yesterday's bleg - it really is helping me!

And today's post... is going to be something similar-but-different. I am preparing a workshop on historical wool preparation and historical spinning, and I'm very, very much looking forward to it. However, I have been mucking around with this and that and fibres and spindles for a good long while now, and my spinning skill was never acquired in the traditional teacher-to-student manner. Thus, I have learned many things differently. And I do not have good insights into what makes a switch to historical spinning difficult for somebody who has learned hand-spindle spinning the modern way. (If you need to brush up on the difference, the two most important bits in my opinion are that historical spinning uses a distaff for holding the fibres, and there's no slinging the thread around under the whorl before fixing it at the top. There's more, but those are two very common differences.)

Hence, I will make you an offer. Are you spinning with a hand-spindle? Have you tried spinning historically? Whether you are spinning historical or modern, I would like to hear about what problems or questions you have. Is there something you just can't get to work? Or something you wanted to try but cannot figure out?

I will try to answer your questions here in the blog - and use the material for my teaching. This way, everybody wins: I get to know common problems, and you will get an answer. And I will try my best to make it a helpful one!

Embroidery course!

In case you are interested in trying medieval embroidery, I will be giving a course in Erlangen on the 29th of October and the 30th of October 2011. The first day will be dedicated to counted-work techniques (canevas), while the second day covers the techniques with free pattern design. The two days are bookable separately in case only one of the two variations is of interest for you, and the course fee includes materials (a piece of linen fabric suitable for the work and the silk (and partly gold) threads). Course language will be German (of course).

You can book both workshops, counted work and pattern embroidery via my new online shop - there's a limited amount of places, so best not wait too long!

Busy busy.

I'm busy as a bee this morning, with all the usual last-minute packing and sorting for a workshop to be done. The printer is churning out my workshop papers right now, there's a goodly sized heap of stuff sitting here waiting to be carried into the car, and I'm all but chomping at the bit to go. And really, really looking forward to getting people to play with gold thread, plant-dyed silks and the best quality linen I've seen in ages. Good materials - good feeling while working.

Since I'll be far from here (why can't Vienna be closer to home?) and will be there some days - a meeting for Textileforum is planned for Monday - there will be no blogging until Wednesday next week. However, if you're in Vienna or close to there, you can stop by on Sunday evening, when there's a little "bazar" starting at about 18:00 in the Tympanum (Eulenspiel) in Prinz-Eugen-Str. 6 in Vienna. You will be able to shop in the book assortment that Gregor from buchportal.at is bringing, as well as browse my collection of odds and ends connected to historical textile techniques.

Workshop Date!

After a long silence on the topic of workshops, I finally have a date again to offer you. On 25-27 of February 2011, there is a medieval weekend on the Schönburg in Oberwesel am Rhein where I am part of the workshop programme.

I will give a workshop "Making an Undertunic" which will introduce the participants to seams and stitch types that were in use during the Middle Ages as well as the basic principles in planning, cutting and sewing an undertunic/undershirt for the medieval wardrobe. But that's not all: After this one-day stint, you will get a very special tablet weaving course on the following day, short but juicy - an introduction to the too-little-known technique of brocaded tablet weaving. This is really, really easy to learn so even total beginners can get started in this workshop.

And if you would like to bring someone else (maybe even somebody not so interested in textile stuff - I hear that people like that do exist), there's also fighting or woodworking in the offer. You can learn more and book via the organising group's homepage, Mittelalter-Treff - and I'd be delighted to meet you at the Schönburg in February!

Soon. Ah, so soon.

Soon (read: at the end of this week) this blog will go on a several-week summer-induced break - we are having a bit of a holiday, and then I'm off to do some yummy and exciting textile-y things. And I'm looking forward to both parts of this summer blog break very much!

As to the work part after the relaxing part, first there's the workshop and "Spectaculum" in Friesach, and afterwards I'm travelling to Vienna for an exhilarating project: A reproduction of some of the Hallstatt woven bands. For that, the team doing the reconstruction is actually starting from scratch, with the raw wool, and everything will be prepared and spun using proper historical implements. That means several kilometres spun on handspindles all together, and in really fine quality: The thread used in one of the bands is plied yarn with a thickness of about 0,2-0,3 mm. I am very excited about this and looking forward to doing a lot of ultra-thin spinning and then some plying - it's wonderful to be part of that work!

The whole reconstruction work is itself part of a large project called DressID, by the way - with the aim (beside others) to show the key position of dress for identity. DressID is also another try to get researchers from all over Europe together and give them the opportunity to exchange knowledge and network a bit.

Normalising... normalising...

Things here are slowly getting back to normal - the washing machine is working hard to clean all the linen stuff that I wore during the last week (which is lots), and I'm stowing away tools and supplies that I had in use. There's some stuff to mend and clean too, as always.

Freienfels had a few wonderful, amazing highlights for me. I was involved in a children's project where 3rd- and 4th-graders from schools in the district had one full day to spend at Freienfels, with special programme. Part of that programme was a three-hour workshop in a medieval craft - felting, basketmaking, potterymaking, blacksmith work, and so on. My crafty disciplines for the children was spinning and fingerloop braiding.

We all had a new group on each of the three days, and as always I found it amazing how different groups of workshop participants are. You can't see into a person straight away, but from the way that somebody handles difficulties and tools, and from the way somebody works at a craft, you can get a tiny glimpse at the character of that person. Apart from that fascination, I was quite disappointed in modern children's fine motor skills. Especially the very first group I had at Freienfels was a nasty surprise, since on my last workshop with that age group I must have had very talented children or children with well-honed fine-motor skills. However, I managed to teach every single child during those three workshop days at least one variation of fingerloop-braided bands - and that is definitively a good feeling. It especially makes a highlight for me since I had a few children in there who really had to work very, very hard to get into the braiding motions - but they were very strong and very determined, and they all made it. It makes me proud that they did not give up but persisted - since that is a quality that everybody will need during all of life, and I feel privileged in having helped them develop their persistence.

All these children now have a braid or several to prove that they did not give up but mastered the challenge. My hope for them is that the next time they are close to giving up, they will glance down on their braided bracelet and remember... and then boldly go on to persist, to master the next challenge, and turn their life into their own, wonderful adventure.

Dates and Stuff.

With the new year now firmly in the saddle, dates for the summer season are slowly lining up on my calendar. And it already becomes clear that 2010 is The Year of Unfortunate Date Collisions, with lots of things falling together - like almost all official holidays with Saturdays or Sundays, and a few of my private fixed date events with work events (and should you wonder: work will win).

There are already a few work dates I am very, very much looking forward to. I am planning to go to Cave Gladium again in 2010 - that will be August 9 to August 14. Since I later heard from some folks that they would have loved to attend a workshop, but didn't hear about it in time, this year I am planning to have the 'shops during the week (to leave the weekend for shopping and all the other weekend stuff) and get it much more public much earlier.
There will be more workshopping and a talk/lecture in Austria, too - I am going to the Spectaculum in Friesach, end of July/start of August. You can read more about the programme here on the official pages. The workshop will teach participants the basics of medieval sewing - differences between fabrics, materials, stitches and seams. Because seam types, stitches and fabric type were purposefully matched for the desired results, this is something like "medieval sewing 101", giving the groundworks for sewing and tailoring medieval style. I love this workshop topic because the lowly hand-seam is underestimated so much today - and lining all the possible stitches, seams and hems up in two sampler cloths - one wool, one linen - shows so much of the possibilities.

And speaking of dates: The book is being layouted at the publishing house, and I am waiting for new work (second proofing) any day. Once the packet is here, I promise I will do my very best to be totally quick in reading, proofing and sending back/responding. Very much fitting the situation and the question that usually pops up at some point - "why does that all take so freakingly long?", INTERN (who does write herself all-caps) has put up a nice blog post summing it up here.

Another Week Off

As this blog's regular readers will know (and even the semi-regular readers, as much as I've blogged about it), this week is Textilforum week at Eindhoven, and I will be busy with running the spinning experiment and chatting real-life with lots of other historical textile enthusiasts.

For you, this means you can come to Eindhoven and have a chat with me as well - or wait for regular blogging to resume probably Tuesday week after next.

And if Eindhoven is too far away from you, but Erlangen is not, and you are looking for some hands-on experience: I will be giving an introductory course at the Begegnungszentrum Bruck on eight Monday evenings, starting on the 21st of September.

Workshops at Cave Gladium

Today is an exception to my normal posting rules, since you are finding mostly German text here - it's the info for the workshops at Cave Gladium. Our idea was to offer a learning space and opportunity at the Cave, since that is a time and place where lots of living history people are already together, so travel costs and extra organisation time for the participants would be really, really low.

Since the info about the workshops seems to have gotten a little lost in the forum pages at the Cave website, I'm posting the description here again. So if you are interested in attending a show fighting workshop, or would like to learn how to dye with plants, or how to forge a knife, or how to weave 3/1 twill on tablets without counting and sticking to a pre-made pattern, or learn a few new loop-braiding patterns, you can contact me. At least the forging and textile workshops should also be possible in English, if there should be any language problems.


Schaukampf - aber richtig
Unter diesem Motto freuen wir uns, in diesem Jahr einen Workshop anbieten zu können, der zeigt, dass es nicht einer blutigen Nase und ein paar ausgeschlagener Zähne bedarf, um auf höchstem Niveau einen Zweikampf zum Besten zu geben. Dabei werden alle Aspekte der Sicherheit und Erhaltung der eigenen Gesundheit beachtet, ohne damit der Begeisterung der Mitwirkenden und der Zuschauer Abbruch zu tun.
An drei Tagen werden die Grundlagen des unbewaffneten Kampfes, Fallen und Rollen bis hin zum Schwertkampf vermittelt. Das Ergebnis wird am Ende des Workshops in einer kleinen Choreographie dem Publikum präsentiert.
Voraussetzungen: Es ist durchaus hilfreich, wenn der Teilnehmer bzw. die Teilnehmerin über eine durchschnittliche körperliche Fitness verfügt und schon einmal ein Schwert in der Hand gehalten hat.
Mitzubringen sind: sportliche Kleidung, festes Schuhwerk (Trainingswaffen werden gestellt)
Kursgebühr: 140,- € pro Person
Zeiten: Freitag: 16 bis 20 Uhr
Samstag: 9 bis 12 Uhr
Sonntag: 9 bis 12 Uhr

Brettchenweben mal anders
Keine Lust mehr, einem festgeschriebenen Schnurbindungsmuster zu folgen? Neugierig, was sich mit Brettchenweberei und einem ganz einfachen Aufzug alles anfangen lässt? Im Workshop webt jede/jeder ein Band zum spielerischen Ausprobieren in zwei kontrastierenden Farben. Der Kettaufzug lässt verschiedene Diagonalenmuster und Köperbindung zu, die mit etwas Hintergrundwissen zu den Grundlagen der Köperbindung frei kombiniert werden können.
Voraussetzungen: Der Kurs ist kein Anfängerkurs, sondern richtet sich an Brettchenweberinnen und -weber, die bereits etwas Erfahrung gesammelt haben.
Mitzubringen: Zum Aufziehen der Kette werden helles und dunkles Garn benötigt; empfehlenswert sind nicht zu dünne Webgarne, etwa in Stärke von Sockenwolle. Das helle und das dunkle Garn sollten jeweils auf zwei Knäuel gleicher Größe aufgeteilt werden, weil dies den Aufzug stark vereinfacht. Pro Knäuel werden mindestens 25 m Lauflänge benötigt (reicht für eine zwei Meter lange Kette). Mitzubringen sind außerdem, falls vorhanden, 12 Vierlochbrettchen.
Kursgebühr: 70,- € pro Person (ganztägig)
Material bei Bedarf bitte vorbestellen
Zeiten: Samstag 15.08.2009

Schmieden bei David Schütze
Der Einsteigerkurs ist für Menschen geeignet, die von der historischen Technik der Metallverarbeitung fasziniert sind, sich aber bisher nicht aktiv damit beschäftigt haben. Vorkenntnisse sind nicht erforderlich. Werkzeug- und Materialkunde werden ebenso vermittelt, wie die grundlegenden Techniken des Schmiedens und ein kurzer Einblick in die Geschichte des Handwerks. Die Teilnehmer stellen ein einfaches Messer selbst her.
Voraussetzungen: Einsteigerkurs (keine Vorkenntnisse notwendig)
Fortgeschrittenenkurs (mit Vorkenntnissen)
Mitzubringen sind: --
Kursgebühr: 140,- € pro Person (Einsteiger)
210,- € pro Person (Einsteiger)
incl. Material, Werkzeug und Versicherung
Zeiten: Samstag 15.08.2009

Färben bei Sabine Ringenberg
Pflanzenfarbe ist ein faszinierendes Thema. Wie wird sie auf der Faser haltbar gemacht? Welche Unterschiede gibt es beim Färben von Seide, Wolle oder Leinen? Auf diese Fragen gibt der Einsteigerkurs von Sabine Ringenberg Antwort. Mit selbst gesammelten Pflanzen wird die eigene Wolle oder Seide gefärbt. Dabei werden die gängigsten Beizverfahren ebenso behandelt, wie die Nachbehandlung und weitere Verarbeitung des Färbeguts. Vorkenntnisse sind nicht erforderlich.
Voraussetzungen: Einsteigerkurs
Mitzubringen sind: Eigene Wolle kann gefärbt werden
Kursgebühr: 85,- € pro Person (eintägig)
zzgl. Färbegut
Zeiten: Samstag 15.08.2009, Beginn 09.00 Uhr
Sonntag 16.08.2009, Beginn 09.00 Uhr

Fingerschlaufenflechten
Flechten mit Schlaufen statt mit einzelnen Fäden hat in den letzten Jahren an Bekanntheit gewonnen - ist aber immer noch nicht sehr verbreitet. In dem Kurs werden verschiedene Flechtvarianten, zum alleine oder gemeinsam Flechten, erlernt und geübt.
Voraussetzungen: Einsteigerkurs
Mitzubringen sind: ---
Kursgebühr: 45,- € pro Person (halbtägig)
incl. Material
Zeiten: Sonntag 16.08.2009, Beginn 09.00 Uhr

Netting Needles, hooray!

I've been busy with some scheming, and it looks as if I'll be able to teach netting soon in the future. We have found some material to work netting needles that does not involve hours and hours of hammering a thick rod down into a thin rod, and thus needles can be made that won't cost a fortune. The first two of the new generation are still unpolished but about finished otherwise...

Beautiful tools, made after a proper source (an archaeological find from London), to spread again knowledge about an old, beautiful textile technique - what's not to love?